In Italian cinemas from 26 October, The girl fog It is the first work of the writer Donato Carrisi, It is drawn from romanzovdel director.

A small village in the Dolomites. A few nights before Christmas. A teenage girl disappeared into thin air. It will not be easy to find out who is behind this mysterious disappearance. It will not be easy for even the renowned agent Vogel, usually using unconventional means in order to carry out the investigation and not disdaining even the aid of the press.

Particularly adequate to tell the story staged is the location, Here treated as almost co-star: Avechot, small village in the Dolomites where all the inhabitants know each other, causes the yellow of the young girl disappeared remind us so much, at least initially, our beloved yellow to Agatha Christie. The mountain, isolation from the rest of the world, most shot outside at night and, mostly, the neve, for their part, mean that the atmosphere that all of us from the first minute live becomes increasingly claustrophobic, similarly to the script implications, impeccable attention to detail, and particularly attentive to the most intricate aspects of the psychology of each character.

There are many twists, maybe even too many, in The girl fog, that yes. Yet Carrisi, now aware that the author and with great experience behind, can all manage never to get carried away too.

And there's more. What the director wants to stage is not only the exciting story of a young girl disappearance, but also a cynical and sharp portrait of today's society, where the money is - how many times is also stated by Professor Martini, chief suspect in the kidnapping - are the key players in determining human relationships and, mostly, are the main motive of any crime and where voyeurism and desire to make it appear the main characteristics of each human being. Without exception.

And then there's the press. The so-called fourth power, Also in solving some surveys, It may become critical, but that, at the same time, no scruples when it comes to putting in trouble anyone who wants to hinder his work.

IS, in simple terms, a sick society, This he wanted to tell Donato Carrisi. A society that is not saved even if isolated from the rest of the world without the ability to give in to dangerous temptations. A society in which no one will come out completely clean and, Unlike, choose how to sacrifice its most innocent and defenseless member. In short words, the same universal story that has been repeated for centuries. Is that, who, Donato Carrisi, It has been rewritten and reinvented, becoming today than ever.

marina fears