#TreCIOTOLE by Isabel Coixet – the review by Sabrina Sciabica

The film based on the novel of the same name by Michela Murgia sees Alba Rohrwacher and Elio Germano who are a perfect couple! A couple on a motorbike bickering at the end of an evening; then, passing by the supermarket to buy some biscuits, they take home three terracotta bowls, points collection reward. From Roman traffic to the bedroom, they continue to accuse each other of divergent behaviors until he asks her for a pause for reflection. A few days later, in a flat tone, Alba Rohrwacher has lunch with a more spontaneous Silvia D'Amico, telling her about having been left; we witness the classic dialogue

#JesusChristSuperstar in scena dal 17 April at the #teatrosistine

At Easter 2025 In the Jubilee year in Rome, #jesuschristsuSuTar could not be missing, titolo più famoso tra le Opere Rock nella storica versione in lingua originale di Massimo Romeo Piparo al #TeatroSistina L’allestimento spettacolare, The power of music, The revolutionary message of brotherhood through the story of the passion of a man-symbol like Jesus, Now more than ever current: Jesus Christ Superstar, Andrew Lloyd Webber and Tim Rice masterpiece, It is a concentrate of beauty and energy that exceeds every border and excites the public of all ages. Produced by Peepparrow Entertainment, the

#Thelastshowgirl by Gia Coppola - Vittorio De Agrò's review (RS)

Gia Coppola signs a direction on tiptoe, leaving room for its cast and avoids any rhetoric or sentimentalism, affidandosi alle interpretazioni intense e autentiche dei suoi protagonisti Trama: #The LastShowgirl , directed by Gia Coppola, tells the story of Shelley (Pamela Anderson), an expert dancer who, After a long and glorious career lasting thirty years, He witnesses the closing of his show in Las Vegas and is forced to retire. This drastic change pushes it to reflect on the future and to resume one's life in hand, starting with the attempt

#Madly : the review by Vittorio De Agrò (RS)

#Madly : in amore si vince seguendo il cuore e l’istinto #Follemente è un film del 2025 directed by Paolo Genovese, Screenplay by Isabella Aguilar, Lucia Calamaro, Paolo Costella, Paolo Genovese, Flaminia gressi, with : Claudio Santamaria, Vittoria Puccini, Fogliati pilar, Marco Giallini, Edoardo Leo, Claudia Pandolfi, Emanuela Fanelli, Rocco Papaleo, Maria Chiara Giannetta, Maurizio Lastrico. Synopsis: Romeo is tender and romantic, Valium crazy and paranoid, Eros excited and sensual, The rational and judgmental professor. No, they are not human beings, But personality who live in Piero's mind, History teacher e

#EMILIAPEREZ by Jacques AUDIARD – the review by Vittorio De Agrò (RS)

Bittersweet vision , smooth and also fun and exciting, tenendo la barra dritta senza eccedere sbanca i #GoldenGlobe e non solo Sinossi: Emilia Perez, film directed by Jacques Audiard, is set in present-day Mexico, where the lawyer Rita lives and practices. One day the lawyer receives a completely unexpected offer: help a feared local boss, linked to the Mexican cartel, to retire from his shady business and disappear forever. The man would like to undergo sex reassignment surgery and thus become the woman he has always wanted to be. In this

#EternalVisionary: the unpublished portrait of Luigi Pirandello directed by Michele Placido

After the presentation at the #RomeFilmFest19 appreciated by the public and critics, film in some ways autobiographical by postponement between the legendary character and the director, approda nelle sale Sinossi: 1934. By train to Stockholm, where he will receive the Nobel Prize for Literature, Luigi Pirandello relives the charm of the characters who populated his life and inspired his art. In fact, Eterno Visionario recounts a phase of Pirandello's life to reveal his most intimate existence, trapped between his lover and muse Marta Abba and his wife Antonietta. All this to give back

Straight from #Cannes77 #The Substance by Coralline Fargeat

Un'interpretazione femminista e cruenta dell'horror corporeo In conferenza stampa Thierry Frémaux ci aveva avvertito che il primo film di in concorso potrebbe scuotere il Grand Théâtre Lumière. Blood and horror are the order of the day in the film The Substance. The promise of The Substance is a revolutionary product based on cell division, which creates a younger alter ego, more beautiful, more perfect. Elizabeth Sparkle (Demi Moore) discovers this new product in a movie trailer. The rest of the plot remains a mystery, but the tone has been set: hold fast! Se The Substance

#Venezia81 – 28.8/7.9 2024 SPECIAL #15 (DAYS6&7)

Vittorio De Agrò's focus (RS) from Lido (from Venice Luigi Noera and Valentina Vignoli with the kind collaboration of Maria Vittoria Battaglia, Vittorio De Agrò (RS) and Marina Pavido - the photos are published courtesy of the Venice Film Festival) Over the weekend, two great expectations for as many local directors in Venice: PEDRO ALMODÓVAR and LUCA GUADAGNINO, who will win? #VENEZIA 81 THE ROOM NEXT DOOR di PEDRO ALMODÓVAR Sinossi: Ingrid and Martha were close friends when they were young, when they worked for the same magazine. Ingrid later became a novelist

#LaTreccia by Laetitia Colombiani

Based on the bestselling novel of the same name by Laetitia Colombani, published in Italy by Casa Editrice Nord, narrative thread of the three episodes in which the protagonists are three different and above all distant women also on a geographical level: India, Italy, Canada Sinossi: The Braid, the film directed by Laetitia Colombani, follows the story of three women living on three continents, different in every way but united by a common destiny: the struggle for survival. Giulia (Fotini Peluso) she is an Italian girl, his family produces wigs by reusing cut or spontaneously fallen hair. When his

#Knight of Athina Rachel Tsangari

On a ship in the middle of the sea, away from society, six men decide to play a game; the goal is to become a "knight" and the challenge is to demonstrate that you are "the best at everything". So, with pen and paper in hand, the six passengers, returning from a fishing trip, they begin to observe each other and judge each other on every aspect of their lives. The result is a comical yet devious portrait, which exposes male insecurities, as well as the contemporary welfare state. It makes you think of the mythical Druk (Another round,

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