Who will save the roses? It is the first work of Alghero Cesare Furesi director. This is the story of Giulio (Carlo Delle Piane) and Claudio (Lando Buzzanca), not so young, but united by a great love that has gone on for years. Both live in their former hotel, He went bankrupt because of the Giulio vice poker. Partly as a result of what, Valeria, subsidiary of the, It decided to terminate any relationship with the parent. One day, But, because of serious illness Claudio, Julius decides to call his daughter and his nephew Marco asking them to return to find them after all these years.That behind the work of Furesi we have the best of intentions, It is certain. Very beautiful, indeed, even if not very original, The idea to stage the delicate love story between two men, with all their habits and their daily rituals, eg. however, the limited success of this work is the first, therefore, definitely a strong ingenuity from a purely cinematic point of view, which he has led to a commissioning clumsy scene and not a few elements of disturbance to its internal. Since the first dialogues between Carlo Delle Piane and Lando Buzzanca, indeed, immediately something disturbs us. And it is not just an inexperienced directing actors, but also of the same jokes present within the script: too "literary", too cumbersome, little spontaneous and almost "fake". Obviously, this problem will persist throughout the feature film, Also with regard to Valeria characters (Caterina Murino) and other secondary figures. A notable example of an excessive use of the word is the moment in which the same Valeria, truccandosi front of a mirror, pronounce to himself the phrase "This dinner I did not want to lose!”. Do not forget that, But, the mistake of giving too much space to the detriment of the images words can probably be because Furesi he first experienced as a writer and later as a director, which, often, It can create such situations.The real problem Who will save the roses?, But, is, in fact, another. Beside jokes too "Bulky" and a clumsy actor direction, here is a script that has inside the very important holes. They are not missing, Consequently, characters left pending that end up not having any weight within the narrative itself (first of all Elisabetta, Marco's girlfriend), as well as so unconvincing narrative joints strips it of all the feature credibility (as the decision by Giulio, in the vicinity of the final, suicide and its, pathetic scene starring the man with his daughter Valeria).In an attempt to revive the family hotel, at some point the same Valeria says it wants to sell the sunsets and not the rooms (referring to the landscape that can be seen from the property). Evidently this operation was also an attempt to Furesi in setting up the story. E, in fact, as it has already been said, beautiful scenery and breathtaking views of the film is full. All that, combined with excellent initial intentions, But, in order to get a good result, is not sufficient. Unfortunately.

marina fears