In Italian cinemas from 23 March is not a country for young Giovanni Veronesi

Sandro (Filippo Scicchitano), shy and insecure twenty, dreams of becoming a writer. Luciano (Giovanni Anzaldo), his age, It is brave and brilliant, but with a mysterious dark side. The two met in the restaurant where they work and decide to leave for Cuba, in order to open their own businesses. Here we will be hosted by Nora (Sara Serraiocco), Their cheerful and lively fellow, but with a difficult past behind. Start a new life and find their own way, But, It will not be so easy.From what we can guess, the groundwork for a vision that seems so much déjà vu There are all. E, in fact, Giovanni Veronesi was somewhat amused to scramble a bit 'cards, based on what came out in Italy in recent years, in order to create something different. O, anyway, something I can do to complaint, which may, somehow, proclaim loudly the right of every young person to build their own future and to find a place in the world. Beyond any possible impediment. E, in fact, the choice of telling the "after", It turned out to be a gimmick here intentionally interesting. Just a shame that this wanting to reshuffle the cards can, in the end, to come to mind other pre-existing works. In this case, eg, in structure but also with regard to the construction of the characters, we can not but think back to What will become of us, the glory of the same Veronesi 2004, where a clumsy Silvio Muccino seems to resemble very Filippo Scicchitano of our days, as well as the character of Valeria Solarino is just as much to remind us of Nora candida No Country for young. E, mind you: this is not plagiarism, in this case. More than anything else was the same Veronesi quoting - voluntarily or not - himself, creating, obviously, something more suited to the current environment. and yet, with This is not to relegate it is not a country for young people in that group of pretentious and stinging products that fill our halls. Because, in fact, This latest work by Veronesi a healthy dose of spontaneity and genuineness have it. At least he avoided the dangerous cliché of Italian young penniless, iperqualificato and unemployed. Not to mention find Winning placed here and there in the staging, as the figure of Cesare, Sandro's father - played by Sergio Rubini, almost always a guarantee - and the large and picturesque Cuban family that adopted the young Nora. It is. This is not a country for young people, despite the dangerous and (in)gooders avoided where at the end predictably goes to parry, It is not all garbage. If only for the ability to reconstruct the atmosphere and small but significant details that can only be successful rescues in corner. Seen, approved, filed.

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