THE EXHIBITION CONTINUES HIS WORK ON THE IDEA OF "NEW CINEMA"

"This Pesaro festival arose with the laudable purpose of studying, develop and strengthen a new cinema. To achieve this goal, we must properly value the experiment, the pursuit of style and language but there should not be limited to this and you should aim to also renew the contents: It can not meet the changing shape if the issues remain usual, old '. Words of Roberto Rossellini, still relevant today, and the International Festival of New Cinema of Pesaro directed by Pedro Armocida continues to pursue tenaciously for its 53 th edition to be held from 17 al 24 June, precisely from a tribute to Rossellini, a 40 years after his death, composed by the screening of six films that summarize the artistic path, pills on the director and a prestigious roundtable. But the search for the "New Cinema" in all its manifold possibilities is developed through diverse proposals that enclose a world without centers of gravity and constantly changing, Competition from Pesaro Nuovo Cinema, with eight works (first or second) from around the world, often far from the classic styling cues typical "of festival". To the winner will be a jury of students accompanied by João Botelho, Mario Brenta e Valentina Carnelutti. It continues the recognition of the Italian audiovisual production at a very low budget, non-industrial and non-format, consists of Satellite - Visions for film, while the opening Piazza del Popolo is entrusted to the cult classic The Untouchables Brian De Palma, thirty years after its release. The special event is dedicated this year to the actor's figure in contemporary Italian cinema, which will also take part as interpreters Jasmine Trinca and Blue Yoshimi, protagonists of screenings and discussions, accompanied by the usual volume published by Marsilio: The actor in the contemporary Italian cinema. History, performance, edited image and Pedro Armocida Andrea Minuz. Back then the appointment with critofilm, term that refers to the movie on cinema, It has become a real cinematic genre, by Adriano Apra presenting new "video essays" and a revised and expanded version of the ebook published last year. Among the retrospectives of this edition is dedicated to a French filmmaker Nicolas Rey, author of films in 16mm and performance with projectors, while the other finally brings Italian cinema Spanish director Pedro Aguilera, compreso last il suo film Hell in your eyes. Special screenings are reserved for Belle Dormant, last knock Ado work, and all'omaggio to Manoel de Oliveira da parte del Giurato João Botelho, in addition to a work of Pesaro Robert Todd and a reminder to the memory of Philippe Cote. An important role will be then covered Italian from animation for the section Corti Show - Italian animators today by Pierpaolo Loffreda, which includes a selection of the best of recent Italian animated films. inevitable, then, the usual section Russians Looks, with six works from the Russian cinema between contemporary animation, documentary and fiction. It's still: Competition (Ri)mountings. The cinema through images curated by Chiara Grizzaffi and Andrea Minuz, a selection of five video essay / recut / mash-up / remix and history lessons by Federico Rossin, meetings, presentations and screenings dedicated to the New American Cinema and the Italian underground cinema of the sixties. finally, every evening, from midnight, you can participate in Dopofestival - The wall of sound by Anthony Hector in a succession of music and images out of the sche(r)my, among which there will be Four Quartets, the new show of Emidio Clementi and Corrado Nuccini.

We want to submit to the attention the interesting section which welcomes the new looks of Russian Cinema, in collaboration with the Directorate of International Programs of the Russian Federation. The exhibition curated by Giulia Marcucci proposes six works including two documentaries, two animations and two films of which four female direction with the common basis of literature. Here, briefly, the six authors:

Kira Kovalenko with SOFIČKA Russia 2016, 78'Cinematic transposition of the homonymous novel by Fazil' Iskander, Sofička chronicles the lives of the inhabitants of a mountain resort in Abkhazia. The story takes place before, during and after the Great Patriotic War. The global historical events are, however, only a background against which the main characters live their lives. The plot, initially non-linear, gradually it turns into a complete picture of the life of the protagonists. The film is shot in abcasa.Fanno language of the cast the actors of the theaters of the city of Sukhum, and the inhabitants of the town highlight is Arasadzych.

Aleksej Krasovskij con KOLLEKTOR Russia 2016, 74'The collector Artur is an ace in his craft: He works only with large debtors, He discovers their secrets and use them against them. Never resort to mundane methods, his instrument is the psychological attack. But when on the Internet appears a compromising video that sees him involved, Artur has himself become a target: friends and colleagues turn their backs, his reputation and even his life is in danger. The collector has just one night to find out who put him up against the wall.

Denis Šabaev with ČUŽAJA rabota( It IS NOT MY WORK) Russia 2015, 70'- doc Irregular workers Farruch lives in a camper on the outskirts of Moscow with his parents and siblings, and it is forced to accept any job in order to earn some money. But that's not why he left Tajikistan, home to his wife and children: his dream is to become a famous actor. The dream of cinema, his condition of irregularity, Muslim principles that require obedience to the law of the Koran: Farruch you will have to make a choice…

Ol’ga Stolpovskaja con GOD LITERATURY (THE YEAR OF LITERATURE) Russia 2016, 63'- doc 2015 was the Year of Literature in Russia. But what does it mean for a writer to live the '' Year of Literature "? A neighbor made it known to the writer protagonist that his house will be torn down to build a highway. The project is on the Internet and you'll actually see that house where, until recently, gathered famous contemporary writers. Pending, the months they spend slowly. And the writer decides to live as if nothing had happened. Writing.

Finally, two animated shorts the first Dina Velikovskaja is KUKUŠKA (THE CUCKOO) Russia 2016, 8'45' 'He is incredibly large and magnetic. She can almost touch it, but he increasingly moves away. Suddenly it is no longer alone, but in two it is even more difficult to follow. Maybe I will reach, tomorrow, or the next day.

Il secondo di Dina Velikovskaja MOJ STRANNYJ Maniac (MY GRANDFATHER STRANGE) Russia 2011, 8'35' 'An original inventor and his niece, who would want to have a life a little 'more ordinary.

This evening the inauguration in Piazza del Popolo to Hours 21,45 the Opening film THE UNTOUCHABLES by Brian De Palma (USA,1987, 120′), while more domnani PIAZZA OF THE PEOPLE to Hours 21,45 the Tribute to Roberto Rossellini with the screening of ROME CITY OPEN (Italy, 1945, 105’).

The Festival will fill the Pescara days until Saturday 24 June and will always end in SQUARE OF THE PEOPLE to Hours 21,45 with AWARD CEREMONY; to follow the format for the actor in contemporary Italian cinema will be screened MOBY DICK Nicola Sorcinelli (Italy, 2017, 13′) THOMAS and Kim Rossi Stuart (Italy, 2016, 97’).