Disappointing final days where it only saves Joaquin Phoenix in the interpretation YOU WERE NEVER REALLY HERE
da Cannes Luigi Noera – Friday 26 is Saturday 27 May – Photo courtesy of the Festival de Cannes
In the final two days of the festival are three titles in competition. Dalla Germania Fatih AKIN ha presentato OUT OF NOTHING (IN THE FADE). The director is the author of Tschick (Goodbye Berlin) presented to Alice in Città2016, of turkish origin living in Hamburg, and still he speaks to us of his second home. If the previous film had its dramaturgy, the film premiered at Cannes there is the power of language, but only a mere exercise of the knowledge of the director's job. No less that François OZON with L'AMANT DOUBLE continues after the presentation in Venice last September Frantz, reflection in B&N on the dramatic Great War, with the human soul duplicity in a thriller to be sluggish in the first part and has need of explanatory dialogues to make a participant of the viewer what is happening on the scene.
Finally, the festival closes this edition cumbersome for the ordinariness of the language of English films with Lynne RAMSAY presenting YOU WERE NEVER REALLY HERE. There is the much anticipated return of one of the favorite actors John C. Reilly and the long-awaited interpretation of Joaquin Phoenix. This in a rational performance table, He tells of a war veteran heroin addict. A superhero with a hammer nails to their responsibilities the various villains who meets. Many, however shocking scenes are the result of his imagination distorted by the use of drugs. The last screening out of competition is a pearl with which ROMAN POLANSKI pays homage to the world of Writing to and cinema. If tratta del thriller AFTER A TRUE STORY [BASED ON A TRUE STORY]The Un Certain Regard selection ends with an adaptation from Checov Stephan Komandarev POSOKI (DIRECTIONS) Based on real events, the script written for four hands by Simeon Ventsislavov and Stephan Komandarev six intertwined stories of as many taxi drivers in a free interpretation of Chekhov's story, Grief, with ups and bassinella drammatugia.
Last day of screenings for QUINZANES Fortnight with the closing Movies: PATTI CAKE$ di Geremy Jasper alla sua Opera Prima.
But the 56th Critics' Week ended Friday with the awards. Saturday collateral awards were.
To Cannes Classics suggest collage 1951-1999: A short history of short films presentato dal Festival de Cannes. The program is run by Christian Jeune and Jacques Kermabon. Spiegel van Holland (Mirrors Holland) da Bert Haanstra (1951, 10mn, The Netherlands) / The Seine Meets Paris di Joris Ivens (1958, 32mn, France) / No two by Norman McLaren (1968, 13mn, Canada) / Harpya by Raoul Servais (1979, 9mn, Belgium) / Peel by Jane Campion (1986, 9mn, Australia) / Interview by Xavier Giannoli (1998, 15mn, France) / When the Day Breaks by Amanda Forbis and Wendy Tilby (1999, 10mn, Canada) as well as Lucía by Humberto Solas (1968, 2H40, Cuba)