11° PKF: Judaism and Israel in Cinema (DAY 3)

At the halfway point, the festival, now in its eleventh edition, produced by the Italian Jewish Center The Pitigliani and dedicated to Israeli film and Hebrew topic, directed by Ariela Piattelli and Dan Muggia

The program includes the Deluxe Room, at 17:00 projection Invitational An appointment for the bride, written and directed by Rama Burshtein, former director of The Bride, which will be distributed in Italy by Cinema, focused on the history of a religious woman (interpreted by Noa

Keller, awarded Best Actress by the Academy and the Israeli Haifa Film Festival) which takes the form of romantic comedy American-style, set in the Israeli Orthodox world. All 19:30, Twilight of the documentary Life, di Sylvain Biegeleisen, that tells, with the help of black and white, and the songs of Jacques Brel, The 95 year old mother of the director, tackling the inevitable goodbye without sentimentality funeral. Then, at 21:00, Tikkun, Avishai Sivan, film

winner of the First Prize at the Festival of Jerusalem and the Special Jury Prize at Locarno, the life of an ultra-Orthodox young rocked by an automobile accident.

The Kodak Hall program instead opens at 16:00 con Presenting Princess Shaw, Ido Haar, however, it is the story of Samantha

Montgomery, difficult past American songwriter, It equipped with a beautiful voice and an enormous compositional talent, that on a YouTube channel, with the name of Princess Shaw, mail and personal confessions

musical performances. The gay issues are therefore protagonists, at 18:00, di Barash, Debut Michal Vinick, already filed hundreds of festivals around the world.

Then, all 19:30, Mr. GAGA heart and soul of a genius of dance, Tomer Heymann, the story of Ohad Naharin, born and raised in a kibbutz, one of the leading choreographers and innovative in the world, internationally known for creating the body movement language called "Gaga".  Then,closes, at 21:30, The son of Saul, di László Nemes, film won the Academy Award 2016 Best

Foreign Film and the Golden Globe 2016 in the same section, which portrays the Nazi hell of Auschwitz by the subjective experience of the protagonist, a Hungarian jew recruited as sonderkommando.

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