#BERLINALE 74th ed. 15/25 February 2024 SPECIAL #7 (DAY 3)

There Marlene-Dietrich-Platz Luigi Noera (from Berlin Luigi Noera with the kind collaboration of Maria Vittoria Battaglia and Vittorio De Agrò of the RdC editorial team- The photos are published courtesy of the #BERLINALE) The first of the Italians in the competition, although very refined, is not convincing! Synopsis: Gli occhi vuoti di Sal rivelano che vive solo di ricordi da quando ha perso l'amore della sua vita, Zoe. Memories like fragments of a shattered mirror that cannot be put back together. Osservando il fratello con crescente preoccupazione, Sal's sister, Place, gli suggerisce di provare “Another

#BERLINALE 74th ed. 15/25 February 2024 SPECIAL #6 (DAY 3)

The critical gaze of Maria Vittoria from the Zoo Palast (from Berlin Luigi Noera with the kind collaboration of Maria Vittoria Battaglia and Vittorio De Agrò of the RdC editorial team- The photos are published courtesy of the #BERLINALE) #YoungHearts, presented in the #GenerationKplus section, è un film di una tenerezza disarmante #Young Hearts (Young hearts) di Anthony Schatteman | con Lou Goossens, Marius De Saeger, Geert Van Rampelberg, Emile De Roo, Dirk Van Dyck - Belgium / Netherlands 2024 | WP | Opera Prima Sguardi gioiosi, tender smiles, summer hit music, all illuminated by

#BERLINALE 74th Ed. 15/25 February 2024 SPECIAL #5 (DAY 3)

The critical gaze of Vittorio De Agrò from the Zoo Palast (from Berlin Luigi Noera with the kind collaboration of Maria Vittoria Battaglia and Vittorio De Agrò - The photos are published courtesy of the #BERLINALE) #Faruk di Aslı Özge presentato nella sezione #Panorama Sinossi: Farouk, which has more than 90 years, diventa sempre più il protagonista del film che sua figlia sta girando sull'imminente demolizione del suo condominio a Istanbul. A story about gentrification and a complex father-daughter relationship. Review: It often happens that fiction and reality mix, quando un regista ha trovato

#BERLINALE 74th ed. 15/25 February 2024 SPECIAL #3 (DAY 2)

The critical gaze of Maria Vittoria from the Zoo Palast (from Berlin Luigi Noera with the kind collaboration of Maria Vittoria Battaglia and Vittorio De Agrò of the RdC editorial team- The photos are published courtesy of the #BERLINALE) #EveryYouEveryMe by Michael Fetter Nathansky was presented in the #Panorama section and is the story of a very unhealthy relationship, retta non già sull’amore ma sulla dipendenza Alle die Du bist (Every You Every Me) by Michael Fetter Nathansky | con Aenne Schwarz, Carlo Ljubek, Youness Aabbaz, Sara Fazilat, Naila Schuberth - Germany / Spain 2024

#BERLINALE - SPOTLIGHT in October 2021 at the ROME FESTIVAL

On the occasion of the Rome Festival in ALICE NELLA CITTA a FOCUS with three films from the GENERATION section of the Berlinale 2021. (Photos are published courtesy of the Berlinale) On the occasion of the Rome Festival in ALICE NELLA CITTA a FOCUS with three films from the GENERATION section of the Berlinale: Generation a Roma Da molti anni la Berlinale è presente in tutto il mondo con programmi appositamente curati. On the occasion of the Rome Festival in ALICE NELLA CITTA a FOCUS with three films from the GENERATION section of the Berlinale. On the occasion of the Rome Festival in ALICE NELLA CITTA a FOCUS with three films from the GENERATION section of the Berlinale: On the occasion of the Rome Festival in ALICE NELLA CITTA a FOCUS with three films from the GENERATION section of the Berlinale 2021 in collaboration with Alice in the City, On the occasion of the Rome Festival in ALICE NELLA CITTA a FOCUS with three films from the GENERATION section of the Berlinale

Criticism film from the #SNCCI: THE GAME OF DESTINY AND FANTASY ”by Hamaguchi Ryūsuke

THE GAME OF DESTINY AND FANTASY "by Hamaguchi Ryūsuke distributed by Tucker Film, presented at the 71st Berlinale and distributed by Movies Inspired (release in theaters 26 August), was designated Film of the Critics by the National Union of Italian Film Critics SNCCI with the following motivation: Temporarily abandoning the rereading of the history of his country Three stories for three poetic investigations on the mocking sense of destiny and human relations. Universal but linked to the insecurities of contemporaneity, Hamaguchi's film confirms the talent of a storyteller in love with his characters -

SPECIAL 71st #BERLINALE - summer session June 2021 # 3 (DAY 12): The Audience Awards

The Berlin public partly confirms the verdict of the March juries. (Berlin Luigi Noera with the kind collaboration of Marina fearful - Photos are published courtesy of the Berlinale) This hybrid edition of the Berlinale ends 2021 with the prizes awarded by the Berlin public. In particular, the Audience Award of the Berlinale Competition 2021 going to: Mr. Bachmann and his class (Mr. Bachmann and his class) (Germany) by Maria Speth. Il film aveva ricevuto a marzo l’Orso d’Argento – Premio della Giuria In una città tedesca con una storia complessa

SPECIAL 71st #BERLINALE - summer session June 2021 # 1 (DAY-1): Special online FORUM program

(Photos are published courtesy of the Berlinale) Special online FORUM program. Special online FORUM program: Special online FORUM program. 16 prospettive cinematografiche sulla Germania” Le connessioni tra cultura in generale, cinematic perspectives on Germany " The connections between culture in general, cinematic perspectives on Germany " The connections between culture in general. cinematic perspectives on Germany " The connections between culture in general. 16 cinematic perspectives on Germany " The connections between culture in general

Criticism film from the #SNCCI : BAD LUCK BANGING OR LOONY PORN di Radu Jude

BAD LUCK BANGING OR LOONY PORN di Radu Jude, presented at the 71st Berlinale, winner of the Golden Bear and distributed by Lucky Red Distribution (release in theaters 29 April), was designated Film of the Critics by the National Union of Italian Film Critics SNCCI with the following motivation: For the lightness with which Radu Jude squares the present time, addressing issues related to the relationship between public and private, in a comedy that ironically affects the body of contemporary society, exposing the ever less endemic fascisms to the mockery of a suspended mise-en-scène

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