(Rome Luigi Noera with the kind collaboration of Francesca Salmeri- Photos are published courtesy of the Fondazione Cinema per Roma) Cristina Comencini chiude la kermesse romana con nostalgia Tornare, Cristina Comenicini, Italy, 2019, 107’, with Giovanna Mezzogiorno, Vincenzo Amato e Beatrice Grannò Un tuffo melanconico quello di Tornare, a film about the passing of time, the events and mourning that characterize it - the narrative device of the film revolves around the mourning of Alice, who lost his father and returns to the places of his childhood, Naples, the sea and the
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SPECIAL # ROMAFILMFEST14 #6 – 17 /27 OCTOBER 2019: (DAYS6&7):reviews #4 by Francesca Salmeri
(Rome Luigi Noera with the kind collaboration of Francesca Salmeri- Photos are published courtesy of the Fondazione Cinema per Roma) La sezione autonoma Alice nella Città conferma il suo impegno sul tema dell’adolescenza In CONCORSO ALICE Don’t forget to breathe, Martin Turk, Slovenia, Italy, Croatia, 2019, 90’, with Matija Valant, Tine Ugrin e Iva Krajnc Bagola Trattare il tema dell’adolescenza e di tutte le caratteristiche emotive di una tale fase di transizione non è semplice. The business becomes even more complicated if the aspiration is to stage a story
SPECIAL # ROMAFILMFEST14 #5 – 17 /27 OCTOBER 2019: (DAYS 4&5): reviews #3 by Francesca Salmeri
(Rome Luigi Noera with the kind collaboration of Francesca Salmeri- Photos are published courtesy of the Fondazione Cinema per Roma) The unmissable of the Rome Festival! Let's start with the OFFICIAL SELECTION with the most anticipated film The Irishman, Martin Scorsese, United States, 2019, 209’, with Robert De Niro, Joe Pesci and Al Pacino. Based on the book by Charles Brandt The Irishman. I killed Jimmy Hoffa, The Irishman is the twenty-fifth film directed by Martin Scorsese. Behind them, Casino (1995), Those good guys (1990) , Mean Streets - Sunday in the church, Monday
SPECIAL # ROMAFILMFEST14 #4 – 17 /27 OCTOBER 2019: (DAYS 2&3): reviews #2 by Francesca Salmeri
(Rome Luigi Noera with the kind collaboration of Francesca Salmeri- Photos are published courtesy of the Fondazione Cinema per Roma) At the weekend Scary Stories tries to scare the public! Cominciamo dalla SELEZIONE UFFICIALE Scary Stories to Tell in the Dark di André Øvredal Canada, United States, 2019, 108' Cast Zoe Colletti, Michael Garza, Gabriel Rush, Austin Abrams, Dean Norris, Gil Bellows, Lorraine Toussaint Tratto dall’omonima serie di libri di Alvin Schwartz, Scary stories to tell in the Dark is an interesting reworking of the classic ghost story. In a period in which
SPECIAL # ROMAFILMFEST14 #2 – 17 /27 OCTOBER 2019: (DAY 1): reviews #1 by Francesca Salmeri
(Rome Luigi Noera with the kind collaboration of Francesca Salmeri- Photos are published courtesy of the Fondazione Cinema per Roma) TODAY STARTS TOGETHER WITH THE ROME FESTIVAL THE 17th ED. DI ALICE NELLA CITTA’ Nella sezione a latere autonoma Alice nella Città come già è accaduto nelle precedenti edizioni c’è una certa effervescenza, but this year also a powerful presence that risks overshadowing the Festival. Innanzitutto per il CONCORSO ALICE il film Lola del belga Laurent Micheli, accompagnato nella sezione PANORAMA INTERNAZIONALE dal film statunitense Bull di Annie Silverstein
Drive Me Home by Simone Catania unconvincing - review of Marina fearful
Directly from the Turin Film Festival 2018, here comes in our rooms Drive Me Home, latest work of director Simone Catania. Drive Me Home is the story of two childhood friends. It is the story of Antonio (Vinicio Marchioni) and Augustine (Marco D'Amore), which, in adulthood, Both have sought their fortune abroad. It's a road movie that takes off from the Netherlands, until you get deep in Sicily. A trip to the rediscovery of an old friendship and, mostly, towards a new awareness about what you most want in life. Nothing
Selfies Lisa Azuelos Family Flashback is an ongoing and perhaps esagerato- review of Marina fearful
In Italian cinemas from 19 September, Selfies Family is the latest feature film by French director Lisa Azuelos. In Family Selfies look good in the shoes Kiberlain the energetic Heloise, a middle-aged woman, owns a restaurant, divorced and with three children who have just passed the teenage years and he has always had a great relationship. The woman, however, will go into crisis when Jade, Next to take the exam of maturity, You will receive a letter of admission from a prestigious university in Canada and, therefore, It will be forced
Once upon a time in Hollywood Quentin Tarantino - the review by Francesca Salmeri
The last of Quentin Tarantino film also comes in Italian theaters with Leonardo DiCaprio, Brad Pitt, Margot Robbie. Stati Uniti d’America/Regno Unito/ 161’ Feste in ville lussuose, martial arts, i western, Tarantino himself has defined his ninth labor "a love letter to L.A. to my world "and indeed before the vision of Once Upon a Time in Hollywood you can not help but have the impression of being catapulted into a romantic fairy tale set in a Los Angeles lost. The timing, albeit in a classic Tarantino style in her continuously from
The banality of another whole Life of Alexander Pondi - review of Marina fearful
In Italian cinemas from 12 September, A totally different Life is the second feature by director Alessandro Pondi. The development story on stage is to Gianni (played by Brignano, just), a taxi driver obsessed with the lottery, married for years with Lorella (Paola Minaccioni) and perpetually dissatisfied with their lives. Things seem (at least temporarily) change when, after dropping by taxi a couple at the airport and have found their home in the car keys, man enter in their luxurious villa, living, for a few days, a life
Angry Birds 2 – Pennuti against Piglets, but sometimes the union is strength - The Review
Pennuti against Piglets - but sometimes the union is strength: il nuovo cartone esilarante della Sony “Angry Birds 2” – La recensione Cartone animato che va bene anche per adulti con il desiderio di evadere dalla realtà quotidiana. Having said that under the layer of comic history are hidden universal themes such as the acceptance, the feelings of brotherly love but also of revenge. And on this feeling backbone for the story that sees this time the birds and the pigs are "forced" to join to prevent the destruction of their