Vittorio De Agrò's focus (RS) from Lido: Sorrentino opens the exhibition among a thousand controversies on the #Venice4palestine! (From Venice Luigi Noira, Vittorio De Agrò (RS) and Valentina Vignoli, With the kind collaboration of Eleonora Ono and the contribution of Marina Pavido - the photos are published courtesy of the Venice Film Festival) Two icons open the Venice exhibition: The President of the Italian Republic and Mother Teresa of Calcutta! #VENEZIA 82 The grace of Paolo Sorrentino (opening movies) Synopsis: Mariano De Santis is the President of the Republic. No reference to existing presidents, fruit
Author: Vittorio De Agrò (RS)
Final evening of the #Taormina71 from 10 al 14 June 2024
See you sadness by Giovanni Virgilio (2025) Out of competition closes the #Taormina71 edition, preceded by Q&A with Selene Caramazza, Nino Frassica e Alessio Vassallo dal nostro inviato a Taormina Vittorio de Agrò (RS) Plot: Aldo was given up by Alessia without a "talk", A phone call or a scene in front of the door. Alessia has simply disappeared. No message, No explanation. Ghosting pure. Aldo comes out devastated, blocked in a limbo of without answers. The only one to stay close to him is Sonia, trusted friend and bandmate, trying to help him get up. Convinces him to do
#Taormina71 from 10 al 14 June 2024 at the Greek theater
(From our correspondent to Taormina Vittorio De Agrò [RS]) Nella splendida cornice del Teatro greco di Taormina il sequel di John Wick inaugura l’edizione #Taormina71 ricca di ospiti da tutto il mondo targata Tiziana Rocca Ballerina di Len Wiseman (USA, 2025 – 122 minutes) with Ana de Armas, Keanu Reeves, Norman Reedus, Ian McShane, Anjelica Huston, Gabriel Byrne Trama: Dancer is set in the narrative universe of the John Wick saga, precisely between the third and fourth chapter. The protagonist is Eve Macarro (Ana de Armas), A young woman raised in the Ruska Roma school - the same
#Cannes78 - 13/24 May 2025 SPECIAL #28 (DAY11)
The critical gaze of Vittorio De Agrò from the Palais (by Cannes Luigi Noira and Vittorio De Agrò (RS) with the kind collaboration of Eleonora Ono - the photos are published courtesy of the Cannes Film Festival) In Concorso i Fratelli Dardenne e Kelly Reichard deludono CONCORSO Piccole Madri (Young Mothers) di Jean-Pierre e Luc Dardenne Trama: Five teenagers, each with a complex past, they find shelter in a shelter for young mothers. In this protected space they face early motherhood and social marginalization, between painful choices and desires for redemption. Review: The brothers
#Cannes78 - 13/24 May 2025 SPECIAL #25 (DAY10)
The critical gaze of Vittorio De Agrò from the Palais (by Cannes Luigi Noira and Vittorio De Agrò (RS) with the kind collaboration of Eleonora Ono - the photos are published courtesy of the Cannes Film Festival) Nadav Lapid, scratchy, strikes again, mentre l’Europa è alle prese con i Sentimal Value di Joachim Trier CONCORSO SENTIMENTAL VALUE di Joachim Trier Trama: Sentimental Value tells the story of two sisters, Nora, successful theater actress, e Agnes, university professor, who find themselves in the family home after the death of their mother. Their balance is upset by
#Cannes78 - 13/24 May 2025 SPECIAL #22 (DAY9)
The critical gaze of Vittorio De Agrò from the Palais (by Cannes Luigi Noira and Vittorio De Agrò (RS) with the kind collaboration of Eleonora Ono - the photos are published courtesy of the Cannes Film Festival) Competition and UCR, on the one hand a film about love and music, on the other Francesco Sossai talks about a marginal Italy, Forgot, ma ancora viva nei gesti e nei sorrisi stanchi dei suoi protagonisti CONCORSO THE HISTORY OF SOUND di Oliver HERMANUS Trama: Set during the First World War, The History of Sound tells the story of David and Lionel
#Cannes78 - 13/24 May 2025 SPECIAL #20 (DAY 8)
The critical gaze of Vittorio De Agrò from the Palais (by Cannes Luigi Noira and Vittorio De Agrò (RS) with the kind collaboration of Eleonora Ono - the photos are published courtesy of the Cannes Film Festival) Jafar Panahi merita la Palma d’Oro CONCORSO IT WAS JUST AN ACCIDENT di Jafar PANAHI Trama: A banal road accident — a car hitting an animal — kicks off a surreal and tragicomic day in Iran. Involved in the event I am a mechanic, a wedding photographer and a bride, who end up confronting a man
#Cannes78 - 13/24 May 2025 SPECIAL #17 (DAY7)
The critical gaze of Vittorio De Agrò from the Palais (by Cannes Luigi Noira and Vittorio De Agrò (RS) with the kind collaboration of Eleonora Ono - the photos are published courtesy of the Cannes Film Festival) Lo sguardo politico di due registi amati dal pubblico di Cannes CONCORSO Alpha di Julia Ducournau Trama: the new film by Julia Ducournau (Palme d'Or in 2021 with Titane) follows the journey of a young protagonist of the same name over the course of a decade. Little girl in the early 80s, teenager and then young woman, Alpha goes through an era marked by
#Cannes78 - 13/24 May 2025 SPECIAL #15 (DAY6)
The critical gaze of Vittorio De Agrò from the Palais (by Cannes Luigi Noira and Vittorio De Agrò (RS) with the kind collaboration of Eleonora Ono - the photos are published courtesy of the Cannes Film Festival) Wes Anderson sempre presente a Cannes non convince CONCORSO THE PHOENICIAN SCHEME è un film Wes ANDERSON, screenplay by Wes Anderson, Roman Coppola, with : Scarlett Johansson, Tom Hanks, Rupert Friend, Bill Murray, Bryan Cranston, Benicio Del Toro, Benedict Cumberbatch, Jeffrey Wright, Michael Cera, Hope Davis, Charlotte Gainsbourg, Ahmed Rice. Plot: Zsa-Zsa Korda, one of the most men
#Cannes78 - 13/24 May 2025 SPECIAL #13 (DAY5)
The critical gaze of Vittorio De Agrò from the Palais (by Cannes Luigi Noira and Vittorio De Agrò (RS) with the kind collaboration of Eleonora Ono - the photos are published courtesy of the Cannes Film Festival) The homage to French cinema and Godard fascinates the audience, while My Love shows the dark side of motherhood without half measures, quello che spesso si nasconde CONCORSO NEW WAVE di Richard LINKLATER Trama: New Wave, directed by Richard Linklater, tells the birth of one of the most revolutionary films in the history of cinema: Breathless (at the end