The critical gaze of Maria Vittoria from the Zoo Palast (from Berlin Luigi Noera with the kind collaboration of Maria Vittoria Battaglia and Vittorio De Agrò of the RdC editorial team- The photos are published courtesy of the #BERLINALE) Dalla sezione #Panorama lo sguardo sul Mondo in fiamme #Afterwar di Birgitte Stærmose Sinossi: Children transform into adults before our eyes. Yet they remain in limbo, haunted by memories of the war in Kosovo. Combining raw realism and stage performance, Afterwar is a meditation on the long-term repercussions of war. #Afterwar di Birgitte Stærmose |
Author: Maria Vittoria Battaglia
#BERLINALE 74th ed. 15/25 February 2024 SPECIAL #9 (DAY 4)
The critical gaze of Maria Vittoria from the Zoo Palast (from Berlin Luigi Noera with the kind collaboration of Maria Vittoria Battaglia and Vittorio De Agrò of the RdC editorial team- The photos are published courtesy of the #BERLINALE) Two good films at the Zoo Palast over the weekend: #Bethany, presented in the #Panorama section, with a documentary flavor, it is an authentic glimpse of real life and #FoxAndHareSavetheForest, presented in the #GenerationKplus section, è un film di animazione che con i suoi colori pastello fa l’occhiolino ai bambini più piccolini #Betânia di Marcelo Botta | with Diana Mattos, Tião
#BERLINALE 74th ed. 15/25 February 2024 SPECIAL #6 (DAY 3)
The critical gaze of Maria Vittoria from the Zoo Palast (from Berlin Luigi Noera with the kind collaboration of Maria Vittoria Battaglia and Vittorio De Agrò of the RdC editorial team- The photos are published courtesy of the #BERLINALE) #YoungHearts, presented in the #GenerationKplus section, è un film di una tenerezza disarmante #Young Hearts (Young hearts) di Anthony Schatteman | con Lou Goossens, Marius De Saeger, Geert Van Rampelberg, Emile De Roo, Dirk Van Dyck - Belgium / Netherlands 2024 | WP | Opera Prima Sguardi gioiosi, tender smiles, summer hit music, all illuminated by
#BERLINALE 74th ed. 15/25 February 2024 SPECIAL #3 (DAY 2)
The critical gaze of Maria Vittoria from the Zoo Palast (from Berlin Luigi Noera with the kind collaboration of Maria Vittoria Battaglia and Vittorio De Agrò of the RdC editorial team- The photos are published courtesy of the #BERLINALE) #EveryYouEveryMe by Michael Fetter Nathansky was presented in the #Panorama section and is the story of a very unhealthy relationship, retta non già sull’amore ma sulla dipendenza Alle die Du bist (Every You Every Me) by Michael Fetter Nathansky | con Aenne Schwarz, Carlo Ljubek, Youness Aabbaz, Sara Fazilat, Naila Schuberth - Germany / Spain 2024
#VENEZIA79 - 31/8 -10/9/2022 SPECIAL #16: (DAY 9) The pills from Maria Vittoria Battaglia's WEB
(from Venice Luigi Noera with the kind collaboration of Maria Vittoria Battaglia, Vittorio De Agrò and Anna Maria Stramondo - Photos are published courtesy of the Biennale) OUT OF COMPETITION - NON FICTION THE MATCHMAKER di BENEDETTA ARGENTIERI Italia / 90’ SINOSSI Tooba Gondal è una delle più famigerate jihadiste britanniche. Only twenty years old, left London to join the Islamic State and became known worldwide as “The ISIS Matchmaker”, accused of recruiting a dozen Western women to marry ISIS fighters. Between 2014 and the
#VENEZIA79 - 31/8 -10/9/2022 SPECIAL #13: (DAY 8) The pills from Maria Vittoria Battaglia's WEB
(from Venice Luigi Noera with the kind collaboration of Maria Vittoria Battaglia, Vittorio De Agrò and Anna Maria Stramondo - Photos are published courtesy of the Biennale) La Mostra è accanto all’Ucraina con un doc che testimonia le atrocità della guerra ORIZZONTI LUXEMBOURG, LUXEMBOURG di ANTONIO LUKICH con Amil Nasirov, Ramil Nasirov, Lyudmyla Sachenko / Ukraine / 105’ SINOSSI Ci sono tanti posti bellissimi dove morire. Luxembourg is not one of them. Beautiful or not, anyway, in Luxembourg it is very expensive to die. When twins learn that their father, who have not seen since
#VENEZIA79 - 31/8 -10/9/2022 SPECIAL #11: (DAY 7) The pills from Maria Vittoria Battaglia's WEB
(from Venice Luigi Noera with the kind collaboration of Maria Vittoria Battaglia, Vittorio De Agrò and Anna Maria Stramondo - Photos are published courtesy of the Biennale) Fuori concorso il testamento del regista recentemente scomparso KIM KI-DUK ORIZZONTI OBEŤ (VICTIM) di MICHAL BLAŠKO con Vita Smachelyuk, Gleb Kuchuk, Igor Chmela, Viktor Zavadil, Inna Zhulina, Alena Mihulová / Slovakia, Czech Republic, Germany / 91’ SINOSSI Quando il figlio dell’immigrata ucraina Irina viene aggredito, the entire city stands in solidarity with his family and condemns the Roma neighbors, suspected of committing the crime.
#VENEZIA79 - 31/8 -10/9/2022 SPECIAL #6: (DAYS 2 – 4) – The pills from Maria Vittoria Battaglia's WEB
(from Venice Luigi Noera with the kind collaboration of Maria Vittoria Battaglia, Vittorio De Agrò and Anna Maria Stramondo - Photos are published courtesy of the Biennale) Discovering new talents in Horizons, ma anche dalla Biennale College ORIZZONTI NAJSREЌNIOT ČOVEK NA SVETOT (THE HAPPIEST MAN IN THE WORLD) di TEONA STRUGAR MITEVSKA con Jelena Kordić Kuret, Adnan Omerović, Labina Mitevska, Ana Kostovska, Ksenija Marinković, Izudin Bajrović / North Macedonia, Bosnia Herzegovina, Belgium, Croatia, Denmark, Slovenia / 95’ Il giudizio di Maria Vittoria Battaglia è 4,5/5 Intense, like a hug. Powerful, come
#VENEZIA79 - 31/8 -10/9/2022 SPECIAL #3: (DAY 1) The pills from Maria Vittoria Battaglia's WEB
(from Venice Luigi Noera with the kind collaboration of Maria Vittoria Battaglia, Vittorio De Agrò and Anna Maria Stramondo - Photos are published courtesy of the Biennale) Dalle Giornate degli Autori SELEZIONE UFFICIALE IN CONCORSO DIRTY, DIFFICULT, DANGEROUS by Wissam Charaf – opening film France, Italy, Lebanon, 2022, 101’ Sinossi: Beirut. Lebanon. Today. Ahmed, a Syrian refugee, and Mehdia, an Ethiopian immigrant who works as a housekeeper, they live a clandestine love made of furtive kisses in the streets of Beirut. While Mehdia tries to free himself from his employers, Ahmed, affected by
“My Father's Naples”; a conversation with #AlessiaBottone, My Father's Naples, My Father's Naples “My Father's Naples”
My Father's Naples, My Father's Naples. In 2017 a conversation with #AlessiaBottone. cinema negotiates and thematizes intoxication, Ritratti in controluce e Ieri come oggi, cinema negotiates and thematizes intoxication 2013 and 2017 cinema negotiates and thematizes intoxication?. a conversation with #AlessiaBottone, the "Alessandra Bisceglia Prize" for the