Maria Vittoria's pills from the WEB (MyMovies) (from Venice Luigi Noera and Valentina Vignoli with the kind collaboration of Maria Vittoria Battaglia, Vittorio De Agrò (RS) and Marina Pavido - the photos are published courtesy of the Venice Film Festival) Prosegue la BIENNALE College con altri due bei film d’esordio January 2 di Zsófia Szilágyi Sinossi: January 2 It is the microrealist story of a separation from the point of view of the best friend of his wife. Klára moved away from her husband helped by her friend ági. They make a total of seven trips in
Festival
#Venezia81 – 28.8/7.9.2024 SPECIAL #8 (DAYS 4&5)
Valentina's critical gaze from the Lido (from Venice Luigi Noera and Valentina Vignoli with the kind collaboration of Maria Vittoria Battaglia, Vittorio De Agrò (RS) and Marina Pavido - the photos are published courtesy of the Venice Film Festival) At the weekend the exhibition offers a series with a cinematographic gaze, un potente film di Corbet e l’atteso corto di Bellocchio Familier som vores (Families like ours) - Series di Thomas Vinterberg (FC) The quality of the series presented at the Venice exhibition this year (Families like ours, and also disclaimer
#Venezia81 – 28.8/7.9.2024 SPECIAL #4 (DAYS 2&3)
Valentina's critical gaze from the Lido (from Venice Luigi Noera and Valentina Vignoli with the kind collaboration of Maria Vittoria Battaglia, Vittorio De Agrò (RS) and Marina Pavido - the photos are published courtesy of the Venice Film Festival) A doc on Nazi cinematography, gli esuli dissidenti russi e una storia leggera sull’Amore irrompono alla Mostra Riefenstahl di Andres Veiel (FC) Between archive images and the personal archive (and unpublished) at Leni Riefenstahl, Andres Veiel (regista di If Not Us, Who? little known in Italy) puts together a portrait of the director
#Venezia81 – 28.8/7.9 2024 SPECIAL #2 (DAY 1)
Valentina's critical gaze from the Lido (from Venice Luigi Noera and Valentina Vignoli with the kind collaboration of Maria Vittoria Battaglia, Vittorio De Agrò (RS) and Marina Pavido - the photos are published courtesy of the Venice Film Festival) Tim Burton, the visionary director par excellence, inaugura la Mostra con il suo attesissimo Beetlejuice Beetlejuice SINOSSI: After an unexpected family tragedy, three generations of the Deetz family return home to Winter River. Still obsessed with Beetlejuice, Lydia's life is turned upside down when her rebellious teenage daughter, Astrid, discovers in
#CANNES77@Roma 24 – 30 June 2024 Day 7 (AAVV)
Si conclude oggi la strepitosa carrellata a Roma direttamente dall’ultimo Festival di Cannes Noi c’eravamo per voi e vi proponiamo i nostri commenti sui film, especially today 30 June last day - in ROMA PRATI you can see reruns of : GIULIO CESARE h.16:45 THE MOST PRECIOUS OF GOODS (REVIEW ) by Michel Hazanavicius / 80’ (COMPETITION – ANIMATION) h.18:30 LEMONS (REVIEW ) di Kirill Serebrennikov / 138’ (COMPETITION) h.21:00 CAUGHT BY THE TIDES (REVIEW ) di Jia Zhang-Ke/ 111’ (COMPETITION) Cinema EDEN FILM CENTER h.16:30 VOLVERÉIS THE OTHER WAY AROUND (REVIEW ) by Jonás Trueba
#CANNES77@Roma 24 – 30 June 2024 Day 6 (AAVV)
Quest’anno l’ANEC Lazio ha preparato una strepitosa carrellata a Roma direttamente dall’ultimo Festival di Cannes Noi c’eravamo per voi e vi proponiamo i nostri commenti sui film, especially today 29 June – in ROME CENTRE/PRATI you can see: Cinema 4 FONTANE h.16:30 Replica SOMETHING OLD, SOMETHING NEW, SOMETHING BORROWED by Hernán Rosselli / 100’ (FILMMAKERS' FORTNIGHT) Synopsis: between documentary and fiction we are introduced to the Felpeto family, whose clandestine gambling business is threatened when the police raid the premises and their late father's secret comes to light. h.18:30
#CANNES77@Roma 24 – 30 June 2024 Day 5 (AAVV)
Quest’anno l’ANEC Lazio ha preparato una strepitosa carrellata a Roma direttamente dall’ultimo Festival di Cannes Noi c’eravamo per voi e vi proponiamo i nostri commenti sui film, especially today 28 June – in ROMA PRATI you can see: Cinema GIULIO CESARE h.16:00 EAST 12 (REVIEW ) in Elkoussy Hall / 109’ (FILMMAKERS' FORTNIGHT) h.18:00 KINDS OF KINDNESS (REVIEW ) di Yorgos Lanthimos / 165’ (COMPETITION) h.21:00 GRAND TOUR (REVIEW ) by Miguel Gomes / 129’ (COMPETITION) Cinema EDEN FILM CENTER h.17:00 PLASTIC GUNS (REVIEW ) by Jean-Cristophe Meurisse / 95’ (FILMMAKERS' FORTNIGHT) h.19:00 GOOD ONE (REVIEW
#CANNES77@Roma 24 – 30 June 2024 Day 4 (AAVV)
Grazie all’ANEC Lazio prosegue per tutta la settimana a Roma la strepitosa carrellata direttamente dall’ultimo Festival di Cannes Noi c’eravamo per voi e vi proponiamo i nostri commenti sui film, especially today the fourth day 27 June - ROMA CENTRO Cinema 4 FONTANE h.19:00 THE MOST PRECIOUS OF GOODS by Michel Hazanavicius / 80’ (COMPETITION – ANIMATION) Luigi Noera saw it for us and we report his impressions: “Who would have thought that from the inspiration of the director of The Artist and the most recent Cannes opening zombie remake of 2022, Final Cut
#CANNES77@Roma 24 – 30 June 2024 Day 3 (AAVV)
Grazie all’ANEC Lazio prosegue per tutta la settimana a Roma la strepitosa carrellata direttamente dall’ultimo Festival di Cannes Noi c’eravamo per voi e vi proponiamo i nostri commenti sui film, especially today third day 26 June - ROMA PRATI Cinema GIULIO CESARE h.16:45 BAKENEKU ANZU-CHAN di Nobuhiro Yamashita e Yōko Kuno / 97’ (FILMMAKERS' FORTNIGHT) Luigi Noera saw it for us and we report his impressions: “It is the story of an eleven-year-old girl Karin entrusted by her inept widowed father Tetsuya to her monk grandfather who lives in the temple with the cat
#MONGREL di Chiang Wei Liang and You Qiao Yin – direttamente da #Cannes77
Previewed at the Directors' Fortnight of #Cannes77, the film tells the story of an illegal migrant who becomes a carer for the elderly and disabled in the mountains of Taiwan, adesso inserito nella rassegna romana @Canness77@Roma Recensione: With a slow narrative, whose dialogues are reduced to the bare bones, the work denounces the conditions of exploitation of migrant workers in Taiwan, forced in turn to recruit migrants and tourists who will be condemned to the same fate as them. This first work looks you straight in the eye and throws you into the center of the dark setting, also thanks to the photography choices