The Neapolitan filmmaker who for thirty years he moved to Rome where profitably gives us the pills his Neapolitan, but also it transmits to the new generations of filmmakers his passion for the seventh art at the University of Wisdom gave us a piece of his past when he was still working at Rai.

Indeed surprise tonight presented a projection between the DOC and the Western genre fiction 35 mm Tarantino certainly envies.

The young director Pannone in the late '90s struggling with the spaghetti westerns of his childhood idol puts on paper the third place with an intriguing title. L’America a Roma. He had essre a doc on the western, but instead reveals a flash of Romanism, and it explains how the Eternal City at the end is always the same.

The fact is that the vision of Rome Pannone mirrors that of Sorrentino with the difference that the first speaks of the Roman common people and the second on the emptiness of the Roman bourgeoisie who cares about the common people.

Del documentary one thing has troubled us: the reaction of the true Roman actor on Requiescant movie where Pasolini takes part as an extra. There domandiano but this will not be the mistake that led us to . . .

But let the word to the director after 20 years after the making of a documentary flavor Gregoriettano (NDR:let this poetic license) where darts with the legendary 850 coupe between the suburbs of Rome in search of forgotten Studios spaghetti western.

Good vision.